“The five members of Stokeswood woke up one day in a black van with a trailer full of equipment and not one of them knew how they got there,” says the Facebook page of the Atlanta-based pop outfit. While that lead-in is delivered with a wink, there is a genuine immediacy to Stokeswood. Right at home on the stage and purveyors of a spontaneous party vibe, this band inspires instant fandom and uninhibit-ed dance moves. Really, Stokeswood requires little in the way of introduction
The current lineup includes founding members Adam Patterson (vocals) and Mark Godwin (lead guitar) with Michael Roman (keys), Jon Joiner (drums) and Justin Mullinix (bass and live production). The mu-sicians are known to switch instruments between songs — one hint as to their eclecticism and energy — and they eschew limits on influences. From Atlanta hip-hop beats to indie-rock melodies, "We walk the fine line of so many genres," says Patterson. "We're taking all the parts of what we know and making it a cohesive sound." Proof that the formula works: Since releasing its first album in 2009, Stokeswood has been landing pop tracks on radio stations in the Southeast where that genre is often overlooked and jam is king.
The title track to the band's new EP, “2075” is all futuristic thrum, thick with static, driving percussion and swirling high notes. The song nods to both power-pop and the shimmering danceability of new wave. Meanwhile, "Forget" (featured on the video game NBA 2K17) is at once anthemic and heart-on-sleeve — pulses with choppy beats and swooping melodies. "Please go on and stop me if my tongue's too rough / and interrupt me if I talk too much / I never wanted that for us," Patterson sings, his vocals sailing through cool crests of synthesizer.
Running like a thread throughout Stokeswood's career is an emphasis on a captivating live show — an approach felt consistently on the band's albums, too. This holds true on 2075, where the track "Current" pairs palpable ache with fast strums and rhythmic pummel. "Bloody History" is a sparring match. Swift and lithe, the song sounds heavy but bounces through power chords and muscular beats, never weighted down by its own fierce attitude. Here, as on rest of the EP, sounds are expertly layered to maximize tex-tures and sonic impact. These are songs that earn their place on the dance floor as well as on that most personal of gestures: the mix tape.
On 2075's final track, "Stop By," the lyric asserts, "Stop by, come on up and see me, because I'll be doing fine." It's a song of equal parts anger and seduction — a heady blend set to ricocheting percussion and melody lines that morph into spacey blips and warbles. It launches at a fully caffeinated pace and builds in intensity, though the sense of joy that the musicians take in crafting each note is never out of sight.
Accolades include being named best local band by Creative Loafing Atlanta in 2013, 14’ and 15’. The publication also honored Stokeswood for best band name — apt, as the group's moniker comes from a well-known thoroughfare where Patterson and Godwin once lived in a haunted house, best music video for "Our Streets" and best album, “2075.” That the awards are bestowed by Creative Loafing readers, aka Atlanta's music fans, makes them that much more meaningful. It's a sign that even without label back-ing, Stokeswood is reaching the masses.
The band has played Bonnaroo, The Rock Boat, Kaaboo Del Mar, CounterPoint Music Festival and Wakarusa to name a few and shared stages with artists such as X Ambassadors, Wiz Khalifa, JR JR, Primus, MGMT, Girl Talk, Edward Sharp, Minus the Bear and Barenaked Ladies.
“…see em now for bragging rights” - Billboard Magazine
“Stokeswood is an “electronic wave of pure sweetness…  in all likelihood will have them prepped for EDM festivals galore” - Consequence of Sound
“4 out of 5 stars... The group creates song structures that carry a timeless and ethereal quality, merging electronic dance beats with post-punk synths, crisp rhythms, and vocals that capture a mix of soulful musical stylings from alt/indie rock’s past.” - Creative Loafing Atlanta
“Atlanta-based band Stokeswood have already grown a devoted following locally thanks to their buoyant electronic pop sound and edgier rock undertones. Now, they’re positioning themselves to reach fans be-yond the Southeast with forthcoming album 2075” - Paste Magazine
“Combining elements of electronic/dance music with the charged energy of indie rock, 2075 successful-ly marries together the pop components of 80’s bands like Depeche Mode and New Order with bombas-tic hip-shakers like The Killers, Bastille, The 1975, and Panic! At The Disco." - FuzzyHeadphonez
“Vocalist Adam Patterson is the hypothetical iceberg tip: a cool, confident, Chris Martin type from the Southeastern US that puts comparisons to MGMT in perspective.” - Consequence of Sound
Learn more at stokeswoodmusic.com